This week, we are highlighting juried member and woodworker Ted Rasmussen. 

Ted’s work is inspired by the natural beauty found in each unique piece of wood. 

In his artist’s statement, Ted writes:

Grain, color and natural imperfections such as checks and cracks are important characteristics that can enhance the beauty of the wood in it’s most honest state.

Ted’s fantastic pieces are available for sale at In the Kitchen!  Opening Friday, September 3.

This week, I am excited to bring you the studio of enamelist Jean Van Brederode. 

Here is what Jean had to say about her studio:

Since my studio was nothing more than a big chunk of empty basement, I knew it was destined to become a space I would love!  Finding your perfect art form is hard enough, but creating the ultimate workplace can be even more challenging!  After much measuring, drawings of floor plans, chalk marks on the floor, selection of just the right carpenter, and a long wait, Charmed I’m Sure Studio was finally complete just over a year ago.

What I enjoy the most about my creative space are the work and classroom areas, the colors and openness of the room, and the natural light and view of the woods.  

 My favorite tools are a Paragon enameling kiln, Bonnie Doon hydraulic press, and a myriad of metalworking tools.   I like to surround myself with an eclectic mix of music – Bluegrass, Rock, Classical – and also books, magazines & art from friends and fellow guild members.  Those things, plus the raw materials of my enameling, call me happily back in to my creative space.

This is an image of the lovely work Jean creates in her studio:

A big thanks to Jean for sharing her awesome studio! 

If you have a studio,  send your images to Jenny:  jenny@pacrafts.org.

Do you want to win two tickets to our craft on July 31 to August 1 in Wilmington?

Of course you do, so tell us your favorite Guild potter (view our full list of potters). Your comment also enters you into a drawing for some spending money at the show – a $50 gift certificate. Extra points for those who share this giveaway with friends and family.

Here are some of the 30 clay artists you’ll find…

^Jennifer Bernhard Hatfield, Frederick Maryland – Booth #341

^Mary Coover, Ashfield PA – Booth #112

^Ryan Greenheck, Philadelphia PA – Booth #511

^Tom Laudenslager, Coopersburg PA – Booth #101

^Royce Yoder/Potter, Lederach PA – Booth #352

^Saenger Porcelain, Newark DE – Booth #346

^Angela Shope, Lancaster PA – Booth #312

What if you win the $50 gift certificate? We’ll hold it for you at the will call desk. Want to stack the odds? Buy advance tickets to the show and enter to win that way as well. Good luck.

I am so excited to bring you this weeks Member Monday–Sara Meadows!  Sara of Kennett Square, PA is a ceramic artist who has created her own unique cast of characters. 

Her sculptures are so whimsical and fun.  I delight in her vibrant and liberal use of contemporary color and texture.  So does my entire family!  When my Dad  saw her work, he immediatly bought several pieces.  He keeps the cat he bought in an antique birdhouse in his garden. 

Sara has a very special talent for creating art that people want to touch and hold and play with. 

For more information, check out Sara’s website!

Peter Saenger, of Newark, DE, is a potter who will be showing at our upcoming Fine Craft Fair in Wilmington, DE on July 31 & August 1. The lines of his pottery are moving yet clean. The embrace between one element and another is explained by his obsession with puzzles. Here’s in his own words:

I am a puzzler; puzzles have a power over me. I am intrigued to discover the solutions. It is like meeting someone new and getting to know them piece by piece. Designing objects and creating innovative processes is solving intricate puzzles.

I have expanded the collection from the earlier black and white, opaque-glazed pieces, by developing a new translucent porcelain body and colorful glazes. I am exploring new directions, finding new ways to handle porcelain and pigment. The experimenting with new clays and colors is also leading into lively new directions with my black and white work.

October 1 will be here before any of us can believe it. Take a moment and think about what you’re going to do this year for American Craft Week from October 1 to 10. Then include it on your website or on handouts at craft shows and open studio tours. Get the word out wide and far.

detail of cabinet by Bradford Woodworking

This is a really important week (well, 10 days) to show cohesion as a craft community. If you already know what you’re doing, leave a comment below. Or leave one if you have an idea of a great program to put together.

The Guild’s In the Kitchen exhibit is up then.

Five Things You Can Do To Turn a Show Around—Fast
by Quinn McDonald

This article first appeared in Crafts Business magazine. It is reprinted here by permission.

The show’s a little slow–sales aren’t where they should be. Your work is good, and the prices fair, so what’s missing? A decision.

If you decide that this isn’t your show, and go check out your opinion with other artists, you are making a move in the wrong direction. If you decide to duck behind your booth to work on some projects so you can at least make some money at this dog of a show, you are making another mistake.

When sales aren’t rolling in, there are at least five things you can do to make a difference. They don’t cost you any money, don’t need a lot of preparation time, and you can see the results happen quickly.

1. Eye Contact Starts a Sale

Make eye contact with the people walking by. Eye contact is the fastest way to establish a relationship that leads to sales. Don’t look at hairdos, skirt lengths or shoes. Look people in the eye. You don’t need to stare, but make sure you get good eye contact—that people are looking back at your face. That’s eye contact, and it begins a relationship. What comes next comes naturally.

2. Smile. Welcome People to Your Booth

It doesn’t have to be a big, toothy grin. A regular smile is best. If you think “smile” at the same time, you will smile with your eyes as well. Watch for a reaction—a recognition, a return smile, a hesitation in walking. That’s the person to focus on.

3. Be First to Start a Conversation

Nod to them, or if they are close enough, say “Hi.” Asking a brief question is better, it helps slow them down. “Having a good time?” or “Is it still raining?” [or windy, sunny, snowing, depending on conditions] gives the person a reason to respond that is not too committal. If the weather is bad, thank them for coming out in this weather.

If the person looks away, walks away or immediately speaks to someone with them, your chances of making contact diminish. If the show is crowded or the aisles are narrow, smile at the next person. You are not looking for a life-long commitment, this is an attempt at contact. With a little luck, a person you speak to will slow down and step into your booth. This is just the beginning, you aren’t done yet.

There are many ways to strike up a conversation, the one that feels most comfortable is the one you are most likely to make successful. Many artists feel uncomfortable qualifying clients immediately. You don’t have to ask, “Are you shopping for yourself or someone else? Are you looking for a gift? or What are you looking for?” While those questions can lead to a sale, many people are at shows simply to look at things and don’t have an answer to those questions. You can scare them off before you’ve said much.

True, if a person is not interested in your work, you don’t have a big chance of selling them anything, but someone who has stepped into your booth needs a few seconds to adjust to seeing your work. Let them have that time.

4. Talk About What You Know—Your Work

Matthew Naftzger, owner of Works of Man, and a jeweler who works in various metals, says, “I like to talk about my work. It’s easy for me to be enthusiastic, and it helps them concentrate on the pieces in front of them.” Matt lets people look over his work, and if he notices interest in one piece, he’ll say something about how he made the piece or the metals used. If the person nods and doesn’t say anything, Matt gives it another chance.

“I might say something about the shape of the piece; or what inspired its creation,” he says, “but if I don’t get a response, I’ll let it go. Conversation is a two-way effort.” Matt will let someone who shows no interest look in silence. Some people simply take more time to understand what they are looking at.

Jenna Pynn, owner of Calico & Old Lace, who makes clothing, embellished with free-form figurative quilting, says, “It takes a while for people to see that the quilting on the vest looks like running horses or like a Japanese crane. I get better reactions if people find it for themselves, so being quiet is a way of communicating.” Jenna also knows that one person in the booth looking at your work often attracts others. “I’m not quick to chase out someone who’s not buying if she’s attracting more people into the booth. Much of my work is custom, so it’s important for people to have time to look and think things through before they try anything on.”

Once there are people in the booth, it’s time for the last step.

5. Qualify Your Client

“Qualifying” means separating the browsers from the buyers and helping the buyers through the choosing and paying process, while keeping an eye on the browsers, but not engaging them further until the sales process is complete.

Jenna says, “It’s great to chat with people, have them try things on and tell me about their likes and dislikes. If it leads to a sale, it’s even better.” So what to do when a client is clearly ‘just looking?’ If you have time, and no one else is in the booth, you can certainly give them some attention.

“But if I have a sale working and someone who is just looking wants to chat, I’ll keep my answers short and friendly but keep a lot of eye contact going with the customer,” says Jenna.

Matt has a similar reaction. “If one person is just browsing and another person is ready to make a purchase, the customer gets most of my attention.” Sometimes the person making a sale will inspire the person browsing to follow suit. Sometimes the browser will leave. Instead of feeling guilty that the browser left, recognize that it was not a sale and be glad you didn’t lose the buyer’s interest.

If a browser is more demanding of attention, it’s fine to say, “I’ll be right back to you as soon as I finish helping this customer.” When a browser has been chatty and getting a lot of your attention, you’ll feel guilty paying attention to another client, but a buyer gets more attention than someone who is just looking.

That doesn’t mean you get to be rude, but it does mean that you get to interrupt your conversation, cut into the browser’s long story, or say, “I’ll answer that in a second, just let me help this person.”

While anyone can be a potential buyer, a browser who walks away is not costing you a sale. If you are polite, but turn your attention to a buyer, the browser will frequently wander off in search of another conversation. That’s great for both you and the browser.

There are a few actions that keep people who may want to stop at your booth right on walking. Be careful to avoid actions that don’t invite people into your booth.

Too Busy to Sell

If a show is slow, it is tempting to spend your time chatting with other artists. But you won’t sell a thing if you aren’t in your booth, so stick around and start making eye contact.

Beware, too, of fellow artists who are in a bad mood and come into your booth to bad mouth the show, promoter, or attendees. People who are browsing have great hearing, and when they hear something negative, they will leave your booth. Even if your fellow artist is talking about another show, the casual observer doesn’t know. Negative words cause negative reactions.

Make a rule of “no negative energy in my booth,” and fellow artists will not feel personally insulted.

Stand Up and Sell

Studies have shown that if you are busy in your booth—dusting, labeling, arranging inventory—you have a better chance of someone coming into your booth. But, there are different ways to be busy.

Eating scares people off. They don’t want to interrupt you. Sure, you have to eat, but keep it simple. If you have help with you, each of you should leave the booth to eat. If you are alone, eat things that aren’t messy and don’t require a lot of work. You can take a bite of a sandwich and arrange your inventory. Don’t hurry and take huge bites. Small bites are better for your health, and if someone comes in, you can indicate you will be with them shortly—then chew and swallow without choking.

And of course, no reading or becoming so absorbed in some activity that you don’t notice people who do come in. Anyone can be a client, and there is no reason that the clients shouldn’t come into your booth to shop instead of passing you by.

Smile and start selling. It works!

© Quinn McDonald, 2008, Quinn is a certified creativity coach, artist and writer. She can be reached through http://raw-art-journals.com/

image by Robert Glebe

The Pennsylvania Guild of Craftsmen wants to send a congratulations to  our newly juried members! 

image by Peter Saenger

Joan Dunham
Karen Warner Hammock
Louise Hutchings
Roberta Little
Kachina Martin
Michael Pyle
Jeff Runz
Peter Saenger
Linda Schwartz
Mary Stoudt
Duane Wendling
Tammy Wilkinson
Deborah Gilbert
Robert Glebe
Christine Goldbeck
Chris Hornaman
Carol Rothermel
Susan Schulz
Marty Silverman
Janice Sonnen

image by Marty Silverman

Steve Wietecha of  Hilltop Metal Work has very recently come to my attention.  He does forged metal work and it is fantastic.  He will have several of his pieces in our upcoming store, Garden Party.

 For more information on Steve, you can visit his website, http://www.hilltopmetalwork.com/ OR watch this link!  Steve will show you how to forge a leaf. 

Bev Zimmerman, of Lancaster, is an incredibly talented potter.  Her work is inspired by nature, often involving impressions from leaves, seeds or twigs and sometimes incorporating words or phrases.  I like her work for many reasons, one of which is that it reminds me to notice my world.  To look a little closer, to take a breath, to try to notice the beauty that Beverly does. 

On her website, Bev says:

“I hope to convey an honest simplicity in my work”

From her choice of inspiration to her organic forms and soft color palette, her work evokes a peaceful simplicity the is both comforting and beautiful. 

If you like her work as much as I do, come see it in person at our Guild Store!  252 N. Prince St.  Lancaster, PA 17603